Best Film Schools in the world

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INDIA

Whistling Woods International:

Despite being home to the world’s largest film industry, just five years ago India was in need of better-equipped film institutes. Enter veteran filmmaker Subhash Ghai, who launched Whistling Woods International, Asia’s largest film, TV, animation and media arts institute. Located on 20 acres in Mumbai’s Film City studio complex and sponsored by Ghai’s Mukta Arts (which has produced some of Bollywood’s biggest hits), WWI’s faculty is headed by dean John Jerome Lee, a former entertainment industry executive. Its advisory board includes acclaimed director Shyam Benegal and superstar Shah Rukh Khan, DreamWorks Animation’s Shelley Page, “Elizabeth” director Shekhar Kapur and producer David Puttnam. “Almost 80% of people working in the industry don’t have professional training and hence end up learning on the job, which was the impetus for us to launch WWI,” says Ghai’s daughter, Meghna Ghai Puri, who is also WWI’s president. “It offers a unique, two-year MBA in media and entertainment (for) people who want to be executives in areas such as marketing and finance.” Specializations include directing, cinematography and editing, along with animation and acting. Tuition is about $28,900 for the two-year program. 

– Nyay Bhushan

Australia

The Australian Film, Television and Radio School:

The Australian Film, Television and Radio School has undergone some significant changes in the past two years, including the move to a new state-of-the-art campus in Sydney’s film hub and an overhaul of the courses it offers to students and established industry practitioners. The 37-year-old national film school, funded annually by the Australian government with $22 million last year, holds a key position in the Australian film community with more than 2,000 graduates passing though its doors in that time. AFTRS alumni include Oscar-winning cinematographers like Dion Beebe (“Nine”) and Andrew Lesnie (“The Lovely Bones”) and director Jane Campion (“Bright Star”). An array of courses covering producing, digital media and visual effects, art direction, documentary, screenwriting, screen music, production design and editing are offered, but at the heart of the school are its award courses for new and emerging filmmakers. They include a foundation diploma, a graduate certificate and graduate diploma. Positions in those highly competitive courses are given each year on a merit system based on students’ creative portfolios. 

– Pip Bulbeck 

FRANCE:

La Femis

Only 3% of hopefuls who take the entrance exam get into la Femis, the country’s most prestigious film school. Housed in Pathe’s old studios on Paris’ rue Francoeur, la Femis is a public institution under the French Ministry of Culture and Communication, meaning tuition is free to French students. It offers a well-rounded overview of the film business, including artistic development and technical training. Alumni include the creme-de-la-creme of French filmmaking, from Louis Malle, Alain Resnais and Costa-Gavras to newcomers like Francois Ozon, Laetitia Masson, Noemie Lvovsky and Rebecca Zlotowski. In their first year, students are initiated into all aspects of production before specializing in a specific field chosen from seven main departments: directing, editing, sound, set design, cinematography, screenwriting and production. “More than 500 professionals come each year to give special classes or speeches,” says Marine Multier, head of communications. “This helps our students succeed in the professional world after they leave.” 

– Rebecca Leffler

 

GERMANY

Baden-Wurtemberg Film Academy

While most European film schools focus on film history and the philosophy of cinema, at Baden-Wurtemberg they roll up their sleeves and get to work. When Roland Emmerich wanted a team to wipe out humanity for 1996′s “Independence Day,” he went to the Baden-Wurtemberg Film Academy. Emmerich’s friend Volker Engel, who taught animation there, recruited 14 students and graduates who would go on to win the 1997 Oscar for visual effects. Known for its practical approach to filmmaking, the academy is a leader in animation and visual effects training. In 2007, trade magazine 3D World ranked it the second-best animation college in the world, just behind France’s Supinfocom. The school fields regular nominees in the student Oscar race and has twice won the honor. Tike Constantin Hebbeln got it in 2006 for “Nimmermeer” and Thorsten Schmid in 1998 for “Rochade.” On-the-job experience is a key part of the academy’s teaching. Baden-Wurtemberg only admits students who have at least one of year of practical experience in the film business and two years for its producers program. The academy also works to expose students to an international network of filmmakers by organizing exchange programs with partner institutions like New York’s School of Visual Arts and Poland’s National School of Film and TV in Lodz. Every year, Baden-Wurtemberg also organizes a Hollywood workshop, including studio tours and internships with production companies in L.A. 

– Scott Roxborough 

ITALY

Scuola Nazionale di Cinema — Centro Sperimentale di Cinematografia

Michelangelo Antonioni, Dino De Laurentiis, Vittorio Storaro and Italian screen icon Claudia Cardinale are just a few of the famous names who began their film education at the Centro Sperimentale, the oldest and most prestigious film school in Italy. Once accepted by the school’s highly selective board, acting students study with leading man Giancarlo Giannini, cinematography students learn from Giuseppe Rotunno (Fellini’s lenser on 1983′s “And the Ship Sails On”) and would-be directors work with helmer Roberto Faenza (“By the Light of Day”). Connected to the Cineteca Nazionale, one of the biggest film archives in Europe, the CSC regularly organizes seminars with international filmmakers, from Martin Scorsese to Wim Wenders. While continually upgrading its state-of-the-art equipment, Centro’s tuition is a very reasonable at $2,000 per year for the two- and three-year programs. “One of Centro’s peculiarities is its total effort in involving the students in all the movies made by CSC Production, and introducing graduates into working crews,” says dean Andrea Crisanti. 

– Martina Riva

 

 

JORDAN

Red Sea Institute of Cinematic Arts:

Offering the first and only MFA program in cinematic arts in the Middle East and North Africa, RSICA is a joint venture between the Royal Film Commission of Jordan and the School of Cinematic Arts at USC. Located in historic Aqaba (which any aspiring filmmaker should recognize from “Lawrence of Arabia”), RSICA launched in 2008, graduating its first class of 21 students in May 2002. With tuition in the $25,000 range, the school is another step forward for Jordan, which has garnered Hollywood’s attention recently through an aggressive campaign to expand its burgeoning film sector. “Jordan is by far the most progressive and secular regime in that region,” says James Hindman, dean and chief academic officer. “They started developing a media plan in 2003 which included a very active, western-style film commission as well as training for crews.” With students coming from all over the region, including Lebanon, Kuwait, Syria and Iran, Hindman says the goal is to offer practical training that will allow them to “function on any film set in the world.” “We want them to be able to eat,” he adds with a laugh.

– Kevin Cassidy

PHILIPPINES

The International Academy of Film and Television, Philippines:

Founded in 2004, the IAFT is located at Bigfoot Studios, a professional studio on the tropical resort island of Cebu, giving students access to state-of-the-art equipment and facilities. “The academy prides itself on bringing Hollywood to Asia and a hands-on approach to filmmaki
ng education,” says Mark Martin, IAFT’s executive director. He notes that, through Bigfoot Entertainment, students get to work on the sets of feature films for international release. The academy offers various diplomas in filmmaking, sound design and acting, and recently started a nine-month professional immersion program that guarantees students experience on one feature film from preproduction to post. IAFT has also signed an agreement with Jacksonville University allowing graduates to enter Jacksonville’s B.A. program as sophomores. About 70 students graduate each year, with fees ranging from $7,970-$14,290. 

– Sonia Kolesnikov-Jessop

 

University of the Philippines Film Institute:

The University of the Philippines Film Institute offers a four-year bachelor’s degree in filmmaking, which combines film theory and production courses, as well as a master’s degree in media studies. Both cost about $1,000 a year. The institute, which has about 75 film graduates a year, is equipped with basic camera and lighting equipment and has an editing lab for post production. In addition to lectures by notable Filipino cinematographers such as Nap Jamir and Neil Daza, the Institute offers workshops and short training courses covering all areas of production. “UPFI produces filmmakers, not technicians,” notes senior lecturer Sari Delana. “Whether it is in mainstream filmmaking, independent filmmaking or television, many of our alumni have become directors.” Recent alumni include helmers Raya Martin, who has had three films screened in Cannes, and Pepe Diokno, whose first feature, “Engkwentro,” won the prize for best debut at Venice last year. 

– Sonia Kolesnikov-Jessop

SINGAPORE

Chapman University Singapore:

Chapman University’s Dodge College of Film and Media Arts partnered with Ngee Ann Polytechnic in Singapore in 2008 to offer an accelerated two-year degree program in creative producing. Specifically designed for film or communications graduates, its emphasis is on “content development and the creation of international co-productions,” says dean Robert Bassett. Students can participate in a summer internship in China or an immersion program in Los Angeles. In addition, Singaporean students can work with those in Chapman to produce cross-cultural documentaries. Fees vary from $4,900 a year for Singaporeans to $22,470 for foreign students, who graduate with a fully fledged BFA from Chapman. 

– Sonia Kolesnikov-Jessop

 

New York University, Tisch School of the Arts Asia:

Tisch opened its first international campus in Singapore in 2007, producing its initial class of graduates in May. The Asian campus now offers four MFA degrees in animation and digital arts, dramatic writing, film and international media producing. The curricula are identical to those at the school’s New York Campus, explains the school’s president, Pari Sara Shirazi. The schools even share some teachers, such as Todd Solondz and Oliver Stone, the artistic director of Tisch Asia. Singapore-based students have access to the New York campus’ summer programs as well as internships, but are required to complete their studies in Singapore, at a cost of about $44,000 a year. The school’s production facilities include two fully equipped teaching soundstages as well as access to a wealth of animation technology. “During the first year, students are immersed in both the art and craft of animation,” says Jean-Marc Gauthier, director of the animation & digital arts department, Tisch Asia. 

– Sonia Kolesnikov-Jessop

TAIWAN

National Taiwan University of Arts:

Counting Ang Lee, Hsiao-Hsien Hou and Chung-Hou Wang (Tung Wang) among its alumni, the Taipei university has had an independent department of motion pictures since 1981 and now features eight full-time faculty members and 20 part-timers. Its bachelor’s and master’s programs offer hands-on production experience, coupled with a broad exposure to the liberal arts. Students can choose between two course tracks: film production or cinema studies. To graduate with a master’s, they must complete either a thesis or a creative work in the form of screenplay or film production. Since 1999, the department has held the Golden Lion International Student Film Awards, Taiwan’s only student film competition recognized at an international level. 

– Sonia Kolesnikov-Jessop

 

UNITED KINGDOM

National Film and Television School:

 

Oscar-winning animation guru Nick Park, award-winning cinematographer Roger Deakins and directors Lynne Ramsay, David Yates and Michael Caton-Jones all share this: They went to the U.K.’s National Film and Television School. The school offers two yearlong post-graduate M.A. courses in specific arenas, like directing or cinematography. “Our competitors abroad offer much longer courses and are more generalist,” notes NFTS director and veteran producer Nik Powell. “Our courses are intense from the word go and not leisurely.” Located on the outskirts of London, NFTS boasts the largest exclusive stage facilities for any school other than the Australian National Film School. 

– Stuart Kemp

 

Run up to the Commonwealth Games

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Now that everybody and his uncle has commented excessively on the lead up to the Commonwealth Games, I thought I should put in my two pence or twenty five paise(not the correct rate of exchange I know, but nevertheless)worth of opinion. And on the eve of the games my opinion is-My God what an exercise in self flagellation! With the media at its hysterical best and of course frothing at the mouth as is its wont, the boorish beer drinking and Indian bashing Aussies(the prime minister no less)and the super power on the wane and proud to be US poodle/lackey Britain sharpening the knives and going for the jugular of the upstart would- be super power, one thought doomsday was at hand! Why a dear old friend of mine who became a British national a few years back and usually harks back to his Indian roots quite fondly, ticked me off with a-”you guys took on more than you could chew old chap. Holding the Commonwealth Games was best left to the west”

I retorted by saying that the Commonwealth Movement would fold up in 15 minutes, if India walked out of it. He of course had no idea that the Commonwealth Movement, owed its post-colonial survival and existence to the fact that India deigned to stay in it despite being a republic for the sake of not sacrificing a useful movement just because it was founded by former colonists. Reportedly the flag bearer of colonialism Winston Churchill had tears in his eyes at this magnanimous act of a recently independent and impoverished nation.

Now to the present. Over the past week or so,one has only heard praise and admiration from visitors to the Commonwealth Games-from athletes, delegates and heads of mission. They have liked the village, the food and most importantly found the stadia world class. So what was the fuss all about? Sure there were problems of corruption and falling behind deadlines. For the former there has to be a probe and the guilty punished. Ditto for the latter. About that remark about standards of Indian hygiene made by Lalit Bhanot, he is surely severely incapacitated in so far as the simple ability to communicate goes. He could surely not have meant what he said. Perhaps he meant that the Indian standards of hygiene for under construction sites are not the same as that of western countries where presumably construction workers come to work wearing pin-striped suits and of course never spit and curse! Come on don’t we all know how fastidious we Indians are in removing the last bit of excreta from our bodies unlike our paper using brethren from the West?

Well the infallible West is not all that immune to problems of bad organisation and corruption either. The Athens Games were always a disaster waiting to happen, just like the Greek economy is now. The last Winter Olympics in Canada had problems and so did the last summer Olympics in the US. When Hurricane Katrina struck US state of Louisiana, and massive flooding ensued because badly built dikes could not hold the waters the state apparatus collapsed and stayed that way for days with policemen deserting their posts and indulging and arson and looting. So far as corruption goes Indian corruption pales in comparison with the shenanigans of the Lehman Brothers and Enrons of the world.

Hey, I am not into hating the west and holding everything Indian in high esteem. I know there are many areas where we stink to high heaven, and the west has made amazing and unparalleled contributions to the growth and development of mankind. But we are working on our not insignificant problems of a billion plus nation, without causing world wars and bloody revolutions which consume millions of people. This one is for India!

Computer Animation Techniques

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People often say that computer animation is a tough job and to a certain extent that holds true. It combines a lot of knowledge with creativity and walking the fine line between being productively creative and being a maverick animator.

2D animation technique

The techniques of computer animation vary a lot from general animation. They use software programs to give a real look and texture to the characters or images. In 2D animation, the figures are drawn using a 2D bitmap graphic or vector graphic. After giving the shapes or frames to the sequence, the animator moves them to the key frame where the software fills the gap required for the frames to move on.

The computer then automatically conducts its calculations for appearance of the frames which are called morphing or tweening. Morphing means seamless transition of the images. Tweening is the process in which the intermediate frames are inserted so that the evolving of the second image from the first images seems natural. Finally, the images are rendered. Rendering is the self-development by the computer to generate a figure from the existing data files.

3D graphic animation

Though almost all the work is same in 3D graphics, yet it differs from 2D. First, the images drawn or created always have a virtual skeleton. 3D animation has basically three steps – modeling, layout and animation. The last stage is similar to both and is called rendering.

In modeling, mathematical representation is implemented for the three-dimensional drawing. From creating general forms and shapes to the minutest specific details is a part of modeling. The sculpting tools are used for this purpose. This is also called visual styling. Then real world physics blends with animation physics. The emotions and expressions both facial and physical are properly mixed.

Now, the object or the image is placed in a scene for space and object relationship. It’s for specifying the motion of the object with respect to its location and size. Cinematography is another technique used in 3D animation for more perfection and camera angles. In cinematography, the lighting, composition and sequencing plays a vital role for the storytelling task. The last step is rendering. The techniques depend on the kind and model of the software used. If you have the more updated ones, you can do wonders while working on them.

Computer Game Animation

The video games or the computer games that are being played all around the world are animated games designed by animators. There are games like IGI, Counterstrike, MotoGP, Roadrash, Mid Town Madness, Age of Empire, Halo, and Medal of Honor that have been created with the help of advanced computer graphics and animation. The field of computer game animation includes modeling of characters, setting up of landscapes in accordance with the laws of physics or graphical mathematics and by using various animation softwares.

Game animation software may be a 2D or 3D. The nature of the game, its resolution and sophistication decide which animation software you will have to use. Some of these softwares are so sophisticated that an animator has to build the basic frames and the rest is adjusted by the computer to give the exact look to the figures.

Every thing from the character’s body types, facial expressions, physical poses, game loops, the lighting, and situations of the antagonists, enemies or contenders and reactions and consequences of varied results will depend on the details of your creation. The storyline of the game will depend on the script. You will have to follow the sequences of the script while designing the games.

2D computer game animation

The simple games with no high resolution and special effects are created with the help of 2D animation softwares. There you don’t need to follow certain laws of physics as to what will be the way the angle of fall if the bullet strikes in the right arm. They are simple games with less features and effects. The most powerful 2D animation software for games is the Bauhaus software that can give special effects and digital backgrounds.

3D game animation

The softwares that use 3D animation make high-quality games that will give you the thrill of virtual reality. The designing of these games are done by expert animators with the help of high-end workstations and softwares. There are many 3D softwares for making a game like SoftImage, Alias/Wavefront, Maya, 3D studios Max, and Lightwave 3D. Among all these 3Ds, Max software is regarded as the best for making next-generation games with its capacity to create apt controls of realistic lighting, dynamics and shading.